Dane szczegółowe książki
The Mirror, the Window, and the Telescope: How Renaissance Linear Perspective Changed Our Vision of the Universe / Edgerton, Samuel Y.
Autorzy
Tytuł
The Mirror, the Window, and the Telescope: How Renaissance Linear Perspective Changed Our Vision of the Universe
Wydawnictwo
United States: Ithaca, 2009
Numer wydania
1
ISBN
0801447585; 978-0-8014-4758-7
Hasła przedmiotowe
Spis treści
pokaż spis treści
Contents 8
Illustrations 10
Preface 16
Chapter one. Introduction. Picturing the Mind's Eye 21
Chapter two. Crisis in Christendom 32
Chapter three. And God Said, "Let There Be Light!". Perspectiva naturalis 42
Chapter four. Fra Antonino 51
Chapter five. When Did Perspectiva naturalis Become. Perspectiva artificialis? 60
Chapter six. Brunelleschi's Mirror 65
Chapter seven. Brunelleschi's Method 76
Chapter eight. Brunelleschi's Second Perspective Panel 92
Chapter nine. Brunelleschi's Heritage: Masaccio's Trinity 100
Chapter ten. "Oh, che dolce cosa è questa prospettiva!". Donatello and Masaccio 112
Chapter eleven. More Masaccio, Masolino, and Even Fra Angelico 123
Chapter twelve. Alberti's Method 141
Chapter thirteen. Alberti's Window 150
Chapter fourteen. Alberti's Legacy. Raphael's Stanza della Segnatura and Beyond 157
Chapter fifteen. Galileo's "Perspective Tube" 175
Postface. Post perspectivam 192
Notes 200
Preface 200
1. Perspective diagram from Vignola. 200
Introduction: Picturing the Mind's Eye 200
2. Crisis in Christendom 201
3. And God Said, "Let There Be Light!" 201
4. Fra Antonino 202
5. When Did Perspectiva naturalis Become Perspectiva artificialis? 203
6. Brunelleschi's Mirror 205
7. Brunelleschi's Method 207
8. Brunelleschi's Second Perspective Panel 208
9. Brunelleschi's Heritage: Masaccio's Trinity 208
10. "Oh, che dolce cosa è questa prospettiva!" 211
11. More Masaccio, Masolino, and Even Fra Angelico 211
12. Alberti's Method 213
13. Alberti's Window 214
14. Alberti's Legacy 215
15. Galileos "PerspectiveTube" 215
Postface: Post perspectivam 217
Bibliography 218
Index 232
Illustrations 10
Preface 16
Chapter one. Introduction. Picturing the Mind's Eye 21
Chapter two. Crisis in Christendom 32
Chapter three. And God Said, "Let There Be Light!". Perspectiva naturalis 42
Chapter four. Fra Antonino 51
Chapter five. When Did Perspectiva naturalis Become. Perspectiva artificialis? 60
Chapter six. Brunelleschi's Mirror 65
Chapter seven. Brunelleschi's Method 76
Chapter eight. Brunelleschi's Second Perspective Panel 92
Chapter nine. Brunelleschi's Heritage: Masaccio's Trinity 100
Chapter ten. "Oh, che dolce cosa è questa prospettiva!". Donatello and Masaccio 112
Chapter eleven. More Masaccio, Masolino, and Even Fra Angelico 123
Chapter twelve. Alberti's Method 141
Chapter thirteen. Alberti's Window 150
Chapter fourteen. Alberti's Legacy. Raphael's Stanza della Segnatura and Beyond 157
Chapter fifteen. Galileo's "Perspective Tube" 175
Postface. Post perspectivam 192
Notes 200
Preface 200
1. Perspective diagram from Vignola. 200
Introduction: Picturing the Mind's Eye 200
2. Crisis in Christendom 201
3. And God Said, "Let There Be Light!" 201
4. Fra Antonino 202
5. When Did Perspectiva naturalis Become Perspectiva artificialis? 203
6. Brunelleschi's Mirror 205
7. Brunelleschi's Method 207
8. Brunelleschi's Second Perspective Panel 208
9. Brunelleschi's Heritage: Masaccio's Trinity 208
10. "Oh, che dolce cosa è questa prospettiva!" 211
11. More Masaccio, Masolino, and Even Fra Angelico 211
12. Alberti's Method 213
13. Alberti's Window 214
14. Alberti's Legacy 215
15. Galileos "PerspectiveTube" 215
Postface: Post perspectivam 217
Bibliography 218
Index 232